Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Christen Kobke 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
97459		A View of the Square in the Kastel Looking Towards the Ramparts	circa 1830 Medium oil on canvas Dimensions 30 X 23 cm cyf
84238		Autumn Morning on Lake Sortedam	Date 1838(1838) Medium Oil on canvas Dimensions 33 x 45 cm (13 x 17.7 in) cjr
2213		Frederick Sodring	1832 Den Hirschsprungske Samling, Copenhagen
2212		Frederiksborg Castle seen from the Northwest	1836 Statens Museum for Kunst, Copenhagen
83751		Frederiksborg Castle Seen from the Northwest	Date 1836(1836) Medium Oil on canvas cjr
82042		Gateway in the Via Sepulcralis in Pompeii.	Date 1846(1846) Medium Oil on canvas Dimensions 38.1 x 52.07 cm (15 x 20.5 in) cjr
96872		Portrait of Wilhelm Bendz	circa 1830(1830) Medium oil on canvas Dimensions 22 X 19 cm cyf
88642		Schlob Frederiksborg im Abendlicht	1835(1835) Medium Oil on canvas Dimensions Deutsch: 69 x 101 cm cjr
22832		Seacoast near Dosseringen (mk22)	1838 Oil on canvas,53 x 71.5 cm Copenhagen,Statens Museum for Kunst
95958		Sister of the Artist	1832(1832) Medium oil on canvas cyf
85458		The Bay of Naples with Vesuvius in the Background	Date 1839-1840 Medium Oil on canvas Dimensions 24.9 x 35 cm (9.8 x 13.8 in) cjr
82169		The Forum, Pompeii, with Vesuvius in the Distance	Date 1841(1841) Medium Oil on canvas cjr
84236		The North Gate of the Citadel	Date 1834(1834) Medium Oil on canvas Dimensions 79 x 93 cm (31.1 x 36.6 in) cjr
21432		The Shore at Dosseringen (mk09)	1838 Oil on canvas,53 x 71.5 cm Copenhagen,Statens Museum for Kunst
2214		The View of the Plaster Cast Collection at Charlottenborg Palace	1830 Den Hirschsprungske Samling, Copenhagen
2211		View of Lake Sortedam	1838 Statens Museum for Kunst, Copenhagen
83750		View of Lake Sortedam	Date 1838(1838) Medium Oil on canvas cjr
2210		View of Osterbro from Dosseringen	1838 Oskar Reinhart Foundation, Winterthur
85456		View of osterbro from Dosseringen	Date 1838(1838) Medium Oil on canvas Dimensions 39.5 x 50.5 cm (15.6 x 19.9 in) cjr

Christen Kobke

1810-1848 Danish Christen Kobke Galleries He lived in Kastellet until 1833 and made many paintings of the area. His painting "Gården ved bageriet i Kastellet" (ca. 1832) hangs in the Ny Carlsberg Glyptotek museum in Copenhagen. In 1832 he shared a studio with friend, landscape painter Frederik Hansen Sødring. He painted a portrait of Sødring which now hangs in the Hirschsprung Collection. In 1834 he moved, along with his parents, outside of Copenhagen??s fortifications near Sortedamssøen, a lake area. He painted many views overlooking the lake towards the city and the embankments surrounding the city. His work becomes larger, more monumental. Like many of his contemporary artists he came under the influence of Niels Lauritz Høyen, art historian, who promoted a nationalistic art. Høyen called for artists to search for subject matter in the folk life of their country instead of searching for themes in other lands, such as Italy (which was at that time considered a requirement for an artist??s training). On a visit to Hillerod in 1835 he painted a romantic picture of Frederiksborg Palace, "Frederiksborg Slot ved Aftenbelysning" ("Frederiksborg Palace in the Evening Light"). At the end of 1837 he married Susanna Cecilie Kobke (1810-1849), and shortly afterwards painted a portrait of his young bride. One of the Small Towers on Frederiksborg Castle, c.1834-35.In 1838 he received a travel stipend from the Academy, left his new wife and traveled over Dresden and Munich to Italy accompanied by decorative painter Georg Hilker. They arrived in Rome by year??s end where he met brother-in-law Frederik Christopher Krohn, sculptor and medallionist, and many other Danish artists. He traveled, along with Constantin Hansen the following summer to Naples, Sorrento, Pompeii and Capri where he painted out in the open air. He returned home in 1840 with a large collection of sketches for later use and inspiration. Unfortunately, most his later work with these Italian themes was uninspired, and they found little favor. Kobke even considered at the time becoming a decoration painter, having participated in 1844-1845 in the decoration of the Thorvaldsens Museum, a museum dedicated to the artistic works of Bertel Thorvaldsen. Two years after his father died in 1843 the family sold the property outside Copenhagen, and Kobke moved back into the city. His application for admission to the Academy, which was accompanied by one of his failed Italian landscapes, was rejected in 1846. He died in 1848 of pneumonia, and is buried in Assistens Kirkegard. Kobke, a national romantic, painted portraits, landscapes and architectural paintings. Most of Kobke??s portraits show friends, family members and fellow artists. He found most of his motifs in his immediate surroundings. Now he is recognized internationally for his well composed and harmonic paintings, for their coloristic qualities and for his sense of the everyday life. But in his lifetime he was almost forgotten, especially because of his early death and limited production. Despite his talent and the praise of various contemporaries, Kobke had never been inundated with commissions. Kobke is recognized today as one of the most talented among Denmark??s Golden Age painters and the most internationally renowned Danish painter of his generation. The painterly interpretations he made of his surroundings stand as highpoints of the period. His works are in the collections of not only Danish museums but also such international museums as the J. Paul Getty Museum

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